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Mischa Kuball
Lawrence Weiner

The two artists Mischa Kuball and Lawrence Weiner were invited to each contribute a work to the 2010 Emscherkunst exhibition. Their collaboration first developed during the preparations and planning for the former Bottrop-Ebel sewage treatment plant, which resulted in the joint work »CATCH AS CATCH CAN«.

The present-day BernePark instantly appealed to a number of artists back then. So with Piet Oudolf & GROSS.MAX, and Andreas Strauss, altogether five different artistic strategies are represented here. If the Ruhr region is associated predominantly with disused collieries and steelworks, sewage plants are surely some of the more unusual former industrial sites to have found new uses by becoming public parks and, at the same time, monuments. Up into the late 1990s, they were still an essential part of the above-ground Emscher wastewater system throughout the region which since the early 20th century had regulated the flow and treatment of grey water from industrial works and private households, thereby also ensuring the containment of pandemics such as typhoid and cholera.

Beautiful from above: The works of art on the Emscherkunstweg can also be admired from the air.

Film concept, camera, drone & post-production: Gionik Media GmbH, Dirk Gion Opterix, Johannes Kassenberg Music & sound design: Samuel Brözel

In one of the septic tanks Piet Oudolf realized with GROSS.MAX the »Theatre of Plants«. The light installation by Mischa Kuball is installed in both edges of the pool.

Ebelstrasse 25 a
46242 Bottrop
Public transport

From Bottrop Hauptbahnhof (main station) with Bus 261 (towards Bottrop Bergbaustrasse) to the stop Bottrop Bergbaustrasse or S16 (towards Essen Hauptbahnhof) to the stop Bottrop Ebel, continue on foot for about 450 m.


Under a shared title the two artists created independent works in their respectively typical media of light and text, which they turned into a dialogue with one another. At night Mischa Kuball’s light installation illuminates the plant’s two former clarifying basins with a strip of white light that constantly revolves around the edge of each basin. The dynamic movement of the circling light is echoed in Lawrence Weiner’s flamboyant illuminated lettering of »CATCH AS CATCH CAN« mounted on a fine wire construction, which initially was installed on the roof of the plant’s main building. Restoration work on the listed historical building required the object to be shifted, so since 2020 its new location has been on the flat roof of the semi-circular extension building. In an ironic commentary Weiner casts the entire premises of the former sewage treatment plant in the light of this proverbial motto, saying »make the best of what you have«. In a manner typical of the artist, Weiner works with text and typography – in this case in the form of an old-fashioned advertising panel in the style of the 1950s and ’60s, thereby referencing the period of the plant’s construction. Nowadays, BernePark is extremely popular as a site for leisure and recreation.

Rotating light installation in both settling basins, lettering on the roof of the former operations building
Fluorescent LED tubes, metal construction

Rotating words,
Spinning thoughts,
Lights are changing!

What you can’t keep,
Not longer than a glimpse,
Or a twinkle of your eyes

If you can!
In Bottrop-Ebel,
Somewhere or Anywhere,

Mischa Kuball/Lawrence Weiner, März 2013

Mischa Kuball

Mischa Kuball (1959 in Düsseldorf, DE) works as a conceptual media artist, mostly using light as material. In his works he frequently examines historically or architecturally significant sites in urban contexts. He is represented with numerous works in public spaces throughout the Emscher region, among them »Yellow Marker« (2000) in Bönen and Kamp-Lintfort, »Blaues Lichtoval« (1999) in Herne and the neon sign »Kunstsammlungen Uni Bochum« (2003).

Lawrence Weiner

Lawrence Weiner (*1942 in New York, US; ᶧ2021) was one of the leading exponents of US American Concept art which emerged in the 1960s. Often formally tending towards Minimalism, Weiner’s works for public space consist primarily of text and characters that always make reference to their location. Another of his works in the vicinity is situated on the campus of the Ruhr University Bochum: »&so weiter« (2010).

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